Max Baca & Los Texmaniacs – August 26, 2014

Max Baca & Los Texmaniacs  –  Ballard Park  –  August 26, 2014

Baca is a Grammy Award winner, and he interspersed explanatory patter into his set to get the Ridgefield vanilla crowd properly oriented.  His music is Tex-Mex, tejano, norteno, terms that, if there are differences, they are too subtle for me to discern; Baca also used them interchangeably.  His instrument, resembling a 12-string guitar, is actually known as a “bajo sexto”.  The accordion player is his nephew, but there is no downside to this nepotism.

Max Baca

Noel Hernandez

Josh Baca

Danny Martinez

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Jimmy Heath Band – August 20, 2014

Jimmy Heath Band –  Grant’s Tomb  –  August 20, 2014

Well I’ve finally gotten to the point where I’m sketching sidemen instead of the leader (I have sketched Heath four times already over the years), and I don’t know the best way to create the heading.  So I’m going with Jimmy Heath for this, it was his gig, even though I didn’t capture him this nite.  There was one passage with Heath soloing on a slow number that was so gorgeous I had actual tears and had to pause my work.  What a sap!  Purrone has not been on my radar screen, but then I realized that he was in the Heath Brothers band that me and Toots saw way back in 1980!

Tony Purrone

Jeremy Pelt

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Ruthie Foster – August 19, 2014

Ruthie Foster  –  Ballard Park  –  August 19, 2014

Foster works at the intersection of blues and gospel.  She got there from her strong gospel background – I don’t suppose that too many of the blues/gospel artists will arrive there from a strict blues origin, or even if there is such a thing.  The backing band is just bass & drums, but the light faded before I could capture the drummer.  Her fingerpickin’ licks are really fine.  I was hoping she would just rip in for some searing lead riffs, but that’s not her style, at least not in this context.  There are sections of her songs, especially at the grand finales, where all instruments fall away to allow her (and us) to relish in her powerful pipes.

Ruthie Foster

Larry Fulcher

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Jazz on Great Hill – August 9, 2014

Jazz on Great Hill  –  Central Park  –  August 9, 2014

This is an annual Jazzmobile event, and this year there were (at least) four acts.  Well, sitting on the lawn in the brutal sunlight for the entire event was just not happening with me; I got the minimalist-est versions of two players in Alison Williams’s band, and then a bit more chromatic for three in the Wycliffe Gordon combo.   Gordon really brings the goods (including his vocal work), playing in that overlap sweet spot of entertainment, erudition, and technique.  Since I’d already previously sketched him, I decided to focus more on his lesser-known sidemen.

Nathan Lucas

Reggie Woods

Ehud Asherie

Adrian Cunningham

Yasushi Nakamura

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Steve Earle – Pete Seeger Tribute – July 21, 2014

Steve Earle  – Pete Seeger Tribute, Central Park Summerstage  –  July 21, 2014

“New Songs of Justice” was the name of this segment of the Seeger-palooza that his death earlier this year unleashed on the summer programming.  The acts kept a-coming, many not announced in the programming for the event.  I got into position for only one sketch, of Earle; one of his two songs was a personal musical tribute, “Steve’s Hammer (For Pete)”.

Steve Earle

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Robert Cray / James Carter Organ Trio – July 17, 2014

Robert Cray / James Carter Organ Trio  –  World Financial Center  –  July 17, 2014

This venue is trying to change its name to Brookfield Place; they copped some cred by putting on this two-day blues festival, so I’ll mildly begrudgingly acquiesce and abandon my adherence to WFC from here on.  Carter’s combo, all instrumental, jazzed up their  blues-based attack.  Cray remains a strong persuader, has dialed up the soul in his set list in support of his latest, “In My Soul”.   Alas, autograph proved not available.  The actual headline act of the evening was John Hiatt, but it was too dark to sketch by the time he was on.

Robert Cray

Dover Weinberg

Richard Cousins

James Carter

Gerard Gibbs

Eli Fountain

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Link Montana – July 14, 2014

Link Montana  –  Nauset Beach Gazebo  –  July 14, 2014

I love coming across pearls of quality in unassuming distant remote venues, and the parking lot of Nauset Beach in the town of Orleans on Cape Cod is the latest.  The serendipitous discovery of this evening concert was made during our Bastille Day-long beach sojourn.  Half of this band was made up of the Spampinato brothers of NRBQ fame.   Rockabilly fused with jangly pop, oh-so-knowlingly including a Hendrix quotation in an Everly Brothers tune, a Fleetwood Mac reference in a surf-music compendium, and a bluegrass tinged version of a Cream opus.  What’s not to love?

Link Montana

Joey Spampinato

Lou Cataldo

Johnny Spampinato

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Jon Batiste / Hypnotic Brass Ensemble – June 29, 2014

Jon Batiste / Hypnotic Brass Ensemble  –  Central Park Summerstage  –   June 29, 2014

While I’m not always crazy about how the Summerstage logistics affect both my personal comfort and access to sketching, for this one I just plastered myself against the fence in the front row (standing) and didn’t bother to curse the heat or anything else.  Hypnotic Brass is pure non-stop high energy, mixing rap with jazzy brass riffing.  The lineup is not static; apparently they are now tuba-less, and for this gig they had both a traps drummer and conga player, as well as an electric bass player.  The (half-) brothers use a few different aliases, so for annotations I just went with the names that they present on their web site.  Jon Batiste is turning into one of the big dogs of jazz in town, but one would need an expanded definition of jazz to describe what he and his group (Stay Human) are doing; they veer off in various rootsy and N’Awlins-y digressions, and are then herded back (sometimes abuptly) under his direction; he also did a solo Star-Spangled Banner that wasn’t quite Hendrix, but I’m not sure Francis Scott Key would have gone along.  The key word for these guys is “play” and they know what to do with their toys.  One of which is Batiste’s harmonabord (depicted), which I’ve known as melodica.  For their finale, in Crescent City style, they meandered through the audience, bolstered in part by additional horn players, and tailed off without returning to the stage.  When I asked him what kind of music his group played, Batiste’s response was “social music”.  Miracle of miracles, I got autographs from every player that I sketched (I’ve never gotten any from Summerstage), although the wait for Batiste’s was perhaps a good half-hour.

Jon Batiste

Barry Stephenson

Joe Saylor

Ibanda Ruhumbika

Eddie Barbash

Rocco & Clef

Adam Jackson

Yoshi

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Ethel & Kaki King – June 24, 2014

Ethel & Kaki King  –  Winter Garden  –  June 24, 2014

The Ethel string quartet seem to be in it mostly for fun, not to say that they haven’t mastered both their instruments and the ensemble sensibility.  So what better way to have fun than to team up with wide-ranging guitar whiz Kaki King.  Here she seemed to be mostly working on getting the most lush sound she could, so it wasn’t like there was a great deal of dissonance.  A good half of the program was created for this particular gig, so this seems to be a long-standing relationship.

Ralph Farris

Dorothy Lawson

Kip Jones

Tema Watstein

Kaki King

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Buika – June 22, 2014

Buika  –  Central Park Summerstage  –  June 22, 2014

This barefoot girl is another of those channeling-from-who-knows-where pheenoms.  Buika’s underlying sensibility is flamenco, and her trio is soaked in the tradition, carrying on splendidly.  But that’s just the basis, with radiating excursions into scat, howling, and just plain shouting.  All in Spanish, of course.

Buika

Dany Noel

Vahagn Turgutyan

Ramon Suarez Escobar

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