Manuel Valera New Cuban Express – November 7, 2014

Manuel Valera New Cuban Express –  Bronx Museum of the Arts  –  November 7, 2014

One more new venue for me, hooray for the Bronx.  I’d earlier caught a permutation of parts of this combo under Yosvanny Terry’s leadership; here the gig was Valera’s (who actually remembered me sketching him back in 2012).  The Cuban jazz angle was enough to rope me in, but the repertoire had a more wide-ranging complexity.  There was an extended song-cycle segment “Marti en Nueva York” based on José Martí’s poetry (yes, the Cuban revolutionary was also a poet and journalist, and lived for a time in NYC) that brought in the vocalist Sofía Rei.  It was not necessary to understand a word of Spanish to have a robust appreciation of this moving work.  It was fun to watch the percussion interplay between Calvaire and Herrera; one would suggest a figure, and it would then bounce back and forth, embellished, as their grins widened.

Manuel Valera

Sofia Rei

Luques Curtis

Obed Calvaire

Yosvanny Terry

Tom Guarna

Mauricio Herrera

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Bertha Hope – October 26, 2014

Bertha Hope  –  Morris High School  –  October 26, 2014

Here’s someone who was totally not on my radar screen at all; Hope was married to a minor NYC player, Elmo Hope, also a pianist.  For a while they shared an apartment with Thelonius Monk!  I wonder how they decided who got to use the piano at home.  Well, Bertha is still keepin’ on, leading/mentoring a small combo of mostly younger players.  And she’s a Bronx treasure which is a plus for me.  I’ve gotta comment on the venue, where I’d never been before.  Morris High School is the first high school built in the Bronx, and its auditorium is a designated NYC landmark.  I’m unfamiliar with the ‘hood so it took some (time-consuming) navigating to get in and out.  The school has gone the way of many, being subdivided into three separate entities, but I don’t care, I’m calling it by it’s original name.

Bertha Hope

Kim Clark

Angeleisha Rogers

Jure Pukl

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Abdullah Ibrahim – October 20, 2014

Abdullah Ibrahim  –  Schomburg Center  –  October 20, 2014

I just love these old jazz masters whose command of technique is so thoroughly transparent that impediment-free channeling from their consciousness to mine is achieved; Ibrahim certainly fills the bill.  He started with an extended solo full of spaces, dynamics, nuances, digressions.  Next he worked with a smaller combo, with the bass player (I learned afterwards that his parents had come in from Detroit to see this gig) doubling for some of the segment on cello during a more classical-oriented excursion.  Ibrahim was content to lay back for extended intervals, offering minimal subtle guidance while seeming to bask along with the audience in the creativity of the players.  After intermission the band filled out with plenty more horns (it was billed as “and friends”), the polyphony got more complex, and the role of conductor for some of the horn section entrances and endings passed partially to Cleave Guyton.  The South African (or Ibrahim’s particular) ensemble concept of playing together became more evident, even as the charts allowed the leader to add less on the piano – in a sense reminding me of Ellington’s approach.  A companion concert at Carnegie Hall was in honor of Ibrahim’s 80th birthday – here he told us that this (freebie) was his birthday gift to NYC, and it was awesome!

Abdullah Ibrahim

Cleave E. Guyton Jr. & Lance Bryant

Noah Jackson

Andrae Murchison

Alex Harding

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Sketchcrawl 45 – October 18, 2014

Sketchcrawl 45  –  The High Line  –  October 18, 2014

On The High Line (515 W. 23rd St.)

La Lunchonette

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Junot Diaz – October 7, 2014

Junot Diaz  – SUNY Purchase  –  October 7, 2014

Diaz is the latest of the MacArthur “genius” grant recipients that I’ve captured.  My experience of reading him is limited to shorter excerpts that he has published in The New Yorker magazine.  Advanced notice of this gig was scant, so we got lucky with the scheduling.  For the majority of his presentation he roamed the stage, and even for the shorter segment of him reading he didn’t hold too still of a pose for my sketching.  Diaz uses his fabulous sense of humor to arrive at profound destinations regarding the immigrant and broader American experience.  And he made clear that his character Yunior is not a proxy for his own self.  He expertly managed the autograph line afterwards to keep things moving along, keeping it from turning into an endurance ordeal, which I appreciated.

Junot Diaz

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Shinnyo Floating Lanterns for Peace – September 21, 2014

Shinnyo Floating Lanterns for Peace  –   Lincoln Center  –  September 21, 2014

Shinnyo is a branch of Buddhism, and one of the ceremonies involves floating lanterns; since there was a variety of musical acts accompanying the occasion, I gave it a go.  Unfortunately, it seemed like the sets were about 15 minutes long, so not very productive for me.  Huang is a member of one of the performance groups, DECODA.

Shelley Monroe Huang

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White Plains Jazz Festival – September 7, 2014

White Plains Jazz Festival  –  September 7, 2014

This gig was out in the street in front of the ArtsWestchester building.  I caught the final two acts, Mike Morganelli’s Brazil Project and Bobby Sanabria/Ascension.  Since I had already previously sketched both band leaders, I focused instead on others in the combos.  Oliveira was MMBP’s featured singer, just the right amount of perk for Morganelli’s Brazilian sounds (these are the black & whites).  Sanabria jacked up the energy level, as he usually does (the sketches are in color), and at one point the band members paraded through the crowd with various hand percussions.  Remon, new to me, has an extensive track record in the mambo jazz idiom.

Monika Oliveira

Paul Meyers

Eddie Monteiro

Oreste Abrantes Jr.

Hiram "El Pavo" Remon

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Duende Project – September 3, 2014

Duende Project  –  White Plains Public Library  –  September 3, 2014

This event was part of the White Plains Jazz Festival, though it was more of a poetry happening.  First there was a series of open mic poetry readings (talk about some really short sketch windows – maybe 5 minutes tops), then the featured Duende Project, only partially represented by Brown and Lanning-Cafaro, and finally a poetry slam.  Some of the poets didn’t stick around even to the end of Duende (way to support your fellow artists, guys!); oh well, no signatures there, and I’m leaving them off.  Duende was really smoove, Brown reciting, backed by Lanning-Cafaro on bass or guitar.  Simpkins is a bit chameleonic, and signed as AJ Poet; it’s hard for me to grasp what about her I captured – sometimes in the right illumination it (at least the original) seems to parse the light into counterintuitive suggestions of refracted colors.  No, I don’t understand.

Tony Brown

Steven Lanning-Cafaro

AJ Simpkins

Eugene T. Holmes

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Godforsaken String Band – August 29, 2014

Godforsaken String Band  –  Bread Alone Farmer’s Market, Boiceville  –  August 29, 2014

Whenever I enter the Bread Alone bakery, I want to eat every single thing there.  Turns out they sponsor a farmer’s market in the parking lot next door during summer Fridays.  So on the way to camping out, I stop off for provisions, and on this day I could spare the extra 20 minutes.  The Godforsakens are an old-timey group that make the rounds providing atmosphere at various events in the mid-Hudson Valley.  Michelotti is apparently not the regular drummer.

Godforsaken String Band

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Jimmy Owens – August 27, 2014

Jimmy Owens  –  Grant’s Tomb  –  August 27, 2014

Owens is the latest NEA Jazz Master notch in my belt, and I’m contemplating a print series of ’em.  His main instrument was the flugelhorn, and he was surrounded by additional heavy hitters who have been jazzing it up for decades.

Jimmy Owens

Danny Mixon

Michael Howell

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